Download PDF by Les D. Maloney: A Word Fitly Spoken: Poetic Artistry in the First Four

By Les D. Maloney

ISBN-10: 1433103885

ISBN-13: 9781433103889

A be aware Fitly Spoken explores major poetic units in the 4 alphabetic acrostic psalms present in ebook I of the Psalter. nearly all of scholarly opinion has been that those acrostics are poetically and artistically poor a result of writers’ and editors’ preoccupation with the alphabetic trend. not like this view, A be aware Fitly Spoken proposes that the acrostic development contributes to, instead of detracts from, the poetic artistry of those psalms. so one can advertise a holistic, canonical interpreting of the 4 acrostic poems inside publication I of the Psalter, this examine additionally examines the linguistic and grammatical connections in the textual content. this sort of shut examining again and again demonstrates the emotive energy and the mind's eye of this literature in contradiction to its supposedly stiff, wood nature. A note Fitly Spoken is attuned to the widespread performs on observe and sound that happen all through those 4 poems and as such will be necessary in graduate classes on biblical interpretation, Hebrew poetry, or the Psalms.

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Additional resources for A Word Fitly Spoken: Poetic Artistry in the First Four Acrostics of the Hebrew Psalter (Studies in Biblical Literature, Volume 119)

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This balance or symmetry can be seen in Table 2. The comparison in this table is not between the two columns but the verses/repeated terms listed in each column. Nevertheless, it is also instructive to compare the two columns and to see that this chiastic paralleling occurs twice in Ps 9, once in the early section and once in the latter section of the poem. One more observation with respect to the grammar of the poetry in vv 4–5 is warranted. ”23 In vv 4– 5, such a dramatization occurs in the contrast between the third person plural in describing the activities of the wicked enemies ( wdb)yw wl#ky, “they stagger and they perish”) and the second person in describing the activities of Yahweh ( tb#$y…ty#&(-y‫כ‬, “for you upheld…you sat”).

The comparison in this table is not between the two columns but the verses/repeated terms listed in each column. Nevertheless, it is also instructive to compare the two columns and to see that this chiastic paralleling occurs twice in Ps 9, once in the early section and once in the latter section of the poem. One more observation with respect to the grammar of the poetry in vv 4–5 is warranted. ”23 In vv 4– 5, such a dramatization occurs in the contrast between the third person plural in describing the activities of the wicked enemies ( wdb)yw wl#ky, “they stagger and they perish”) and the second person in describing the activities of Yahweh ( tb#$y…ty#&(-y‫כ‬, “for you upheld…you sat”).

Is there any theological significance to the number four? 124 Third, is there any significance to the fact that there are four acrostics in Book I and four in Book V? Again, Freedman has touched upon this question but more can be said about the implications of this phenomenon for the theological unity of the Psalter. 22 A Word Fitly Spoken Chapters two through five of this study will systematically look at each of the four acrostic psalms individually. Each psalm will be worked through, highlighting the specific poetic devices found therein.

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A Word Fitly Spoken: Poetic Artistry in the First Four Acrostics of the Hebrew Psalter (Studies in Biblical Literature, Volume 119) by Les D. Maloney


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